无动机

翰米尔顿 

什么都不用说了，哪有那么罗嗦，这就够了，看看人家吧！看看吧！哎。。。

 MTV

 3个礼拜时间完成了MTV的制作，懒懒散散最终结果不太满意，能力不够

<瞎子>

根据以前画的一个短片拍的，算是最近期的一个作品，截了少许的图，这个片子音效实在太重要，甚至超过片子本身，所以截图显得很无力
（5分来钟）

去年做的实验视频，挑了几个做个回顾

Magdalena Jetelova' 

the bunkers on the coast of the jutland peninsula provide the backdrop for the laser projection of texts. the shifting of the original position and exact shape of the bunker is stressed by the shift in the meaning and shape of the text. the projected inscriptions are paraphrases of quotations with altered meaning from the book by the french philosopher paul virilio, published in 1975 under the title "the archeology of the bunker". in his book virilio presents a typology of the bunker and the philosophy of the ‘military area’, reflecting on categories of violence and humanity in the context of war and military operations. the altered quotations from virilio are adjoined to individual bunkers in such a manner that they evoke entirely new configurations of forms and situations: the ‘displaced’ text on the background of a shifting bunker

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Pyramids

a space on a scale which greatly exceeds the size of the host building is inserted into the museum’s interior. despite its dimensions, it is only a fragment of a whole known to us, which in an imaginary way continues beyond the borders of the museum building and which we can mentally reconstruct as a pyramid. domestication primarily stems from the fact that we can already imagine it based on the fragment we have at our disposal because we have become well acquainted with its form in our minds. on the entirely specific level, domestication — taming — can be seen in the possibility of walking around the pyramid from all sides, from the inside as well as from the outside; taking a look at its base from the gallery above, experiencing it from a perspective that people were to be denied. this, however, does not change anything about the fact that the essence of the form is mental, not physical. the entire pyramid is only realized through thought.

Kiki Smith 是个不错的艺术家