无动机

<讨论4>

开篇先感谢在远方的吴鹏大哥，没你就没有<讨论4>

片花抢先看，<讨论3>原班人马,全是导演的剧组

人物介绍，我所指的是时导，此片担任美食指导

于导，光芒万丈的于导，曾做过在场各个导演的御用演员，在各种不知名场合露面，举过杆，买过饼。此次继续担任推轨道车要职。

格格导，虽然是皇亲国戚，在次剧组仍只能担任保洁一职，时而，也当剧务和美食助理

李智导，日籍朋友。天性搞怪，杆手。

刘大师导，闭月羞花也没用。副机要职

这帮孙子，在我沉浸于拍摄的同时搞怪

End

 <banana1>

Sound Installation, Material:milk ,sound box

williamlamson
a pretty good artist:

http://www.williamlamson.com/#/home

翰米尔顿 

什么都不用说了，哪有那么罗嗦，这就够了，看看人家吧！看看吧！哎。。。

 MTV

 3个礼拜时间完成了MTV的制作，懒懒散散最终结果不太满意，能力不够

<瞎子>

根据以前画的一个短片拍的，算是最近期的一个作品，截了少许的图，这个片子音效实在太重要，甚至超过片子本身，所以截图显得很无力
（5分来钟）

去年做的实验视频，挑了几个做个回顾

Magdalena Jetelova' 

the bunkers on the coast of the jutland peninsula provide the backdrop for the laser projection of texts. the shifting of the original position and exact shape of the bunker is stressed by the shift in the meaning and shape of the text. the projected inscriptions are paraphrases of quotations with altered meaning from the book by the french philosopher paul virilio, published in 1975 under the title "the archeology of the bunker". in his book virilio presents a typology of the bunker and the philosophy of the ‘military area’, reflecting on categories of violence and humanity in the context of war and military operations. the altered quotations from virilio are adjoined to individual bunkers in such a manner that they evoke entirely new configurations of forms and situations: the ‘displaced’ text on the background of a shifting bunker

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Pyramids

a space on a scale which greatly exceeds the size of the host building is inserted into the museum’s interior. despite its dimensions, it is only a fragment of a whole known to us, which in an imaginary way continues beyond the borders of the museum building and which we can mentally reconstruct as a pyramid. domestication primarily stems from the fact that we can already imagine it based on the fragment we have at our disposal because we have become well acquainted with its form in our minds. on the entirely specific level, domestication — taming — can be seen in the possibility of walking around the pyramid from all sides, from the inside as well as from the outside; taking a look at its base from the gallery above, experiencing it from a perspective that people were to be denied. this, however, does not change anything about the fact that the essence of the form is mental, not physical. the entire pyramid is only realized through thought.

Kiki Smith 是个不错的艺术家